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WW2 PSYCHOLOGICAL WARFARE
In order to wage a war, the first battle fought to capture the hearts and minds of the people. Naturally, the inherent violent nature of war brings about great psychological resistance in civilized nations. To break this resistance, people must believe that they are fighting a monster.
The British Political Warfare Executive (PWE) was a clandestine body created to produce and disseminate both propaganda. Their role in the war would go on to shape history as we know it.
One of their main methods of swaying public opinion was to hire Hollywood producers to produce propaganda films. In 1938, their main objective was to promote anti-German sentiment to sway the American public into support the war that was inevitably coming.
In 1981, Jack Glenn, director of the popular 1940s newsreel series March of Time, died at age 76. His obituary, published in the Bergen, New Jersey, Sunday Record on February 15, 1981, included a shocking revelation.
"As senior director for the popular movie house newsreel, he often created world events with actors and movie sets. One such news feature film, Inside N@z¡Germany, made in 1938, included footage of a “concentration camp” that was filmed on Staten Island with scores of New York City actors."
Prior to the advent of TV, Americans would get their news from the local theater, and millions turned out in 1938 for the release of "Inside N@z¡ Germany." Most were unsuspecting and believed that they were watching a true and accurate accounting of everyday life in Berlin. Little did they know that they were actually watching American citizens dressed up as N@z¡s, being filmed at a movie set that had been constructed in New York.
These faked scenes were later included in the “Why We Fight” propaganda film series made and issued by the US government during World War II for viewing by US military personnel and the general American public. Many of the millions who have watched these staged events understandably accepted them as depictions of reality in Third Reich Germany.
In 1993, Inside N@z¡i Germany was deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry
One scene in particular from the film that depicted the word "jude" and a "star of david" written on a storefront window has become one of the most iconic images associated with the holocaust. It is still being pushed online to this day and can be found in archives and museums across the entire globe.
The only problem with this is that....IT'S FAKE.

We are all familiar with the pictures and film footage of piles of dead “jews” discovered upon the liberation of Dachau and Buchenwald camps at the end of WW 2.
What we were never told is that most of those corpses were actually dead German soldiers that were brought in by the train load and dumped there as part of an elaborate psyop carried out by the British Psychological Warfare Executive (PWE)
Alfred Hitchcock was persuaded by his friend and movie producer, the British Jew, Sidney Bernstein, to assist on project “F3080.” F3080 was the name British Intelligence gave to a project to compile a documentary film on German atrocities.
From the testimony of a German soldier:
"They (German corpses) were, in fact, unwitting extras in a movie being made by Alfred Hitchcock, the Hollywood horror-film specialist. He had been awarded a contract to make a movie about concentration camps for the Nuremberg tribunal. At night, the dead prisoners would be unloaded at Buchenwald, Dachau, and other concentration camps by those who were still alive. Hitchcock would then film them, depicting the heaps of corpses as victims of German atrocities."
The project originated in February 1945 in the Psychological Warfare Division of SHAEF (Supreme Headquarters Allied Expeditionary Force).
Hitchcock was recorded expressing his primary concern and said,...
“We should try to prevent people thinking that any of this was faked.”

On April 18, 1945, following the liberation of Buchenwald, several commanders ordered that local civilians from the neighboring city of Weimar be rounded up and forced to take a tour of the camp. The reason for this forced tour that was sold to the public was so that they could "see for themselves the horror, brutality and human indecency that they had supported"
However, there was a more sinister agenda at play. Upon their arrival at the camp, the civilians were escorted to a carefully curated display table where they were shown lampshades made out of "human" skin, shrunken heads, and soap stamped with "R.I.F." which they were told stood for "Rein-jüdisches-Fett" or "pure Jewish fat. " These sight of these items caused a visceral reaction to all who saw them, and their horrified visage is captured by the camera as they walked past.
Little did they know, it was all a carefully crafted, premeditated lie carried out by British Politcal Warfare Executive (PWE)
General Lucius D. Clay, Commander in Chief of U.S. Forces in Europe and Military Governor of the U.S. Occupation Zone of Germany in 1948 found that the lampshade charge was baseless, and there were no articles made of human skin. Moreover, the items that had been shown were actually made from goat skin.
The "human soap" that was shown stamped with RIF actually stood for Reichsstelle für industrielle Fettversorgung ("National Center for Industrial Fat Provisioning", the German government agency which was responsible for the wartime production and distribution of soap and washing products). RIF soap was a poor quality substitute for soap and did not contain any fat, human or otherwise
Yet, the damage had already been done. The lie was carried in the hearts and minds of all those who bore witness, and it has echoed throughout the last 80 years. The atrocity propaganda that was deployed that day in 1945 created a lie that has been endlessly repeated over the last 8 decades and is on record as a part of the testimonies given under oath and admitted as evidence during the Nuremberg trials. The soap and lampshades lie is still repeated to this day as a testament to the horrors of the holocaust.
No matter how many times it has been disproven by historians and scholars, the lie persists.

On August 27, 1943, Victor Cavendish-Bentinck.
head of the British Psychological Warfare
Executive, admitted that German "gas chambers"
did not exist, and such tales of their alleged
existence were employed solely for propaganda
purposes.
In a handwritten minute, he wrote:

Our understanding of history has been inundated with propaganda. Most people go their entire lives without ever knowing it.
If you trust anything you have read, been told, or been shown without attempting to verify it, you will be led astray from the truth. Everything you have learned now must be unlearned.
The scale to which our information has been manipulated is hard to imagine. Censorship has put a stranglehold over the internet. Museums and archives are riddled with manipulated images and doctored videos and present them as truth.
"Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. The process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right."

Interesting... I learn something new every day.

The photo on the right was found up on the Simon Weisenthal Center website in 1999. To get American sympathies stoked up, they’ve explained that the smoke in the background is coming from the crematoria at Auschwitz – all the parents and family of the Jews in the foreground going up. But someone located the original on the left, clearly showing a later-day air-brushing job

Famous holocaust shot featuring Ellie Wiesel, was accidentally published in New York Times without starving naked Jew. So, how did that happen?
Close examination of the accepted version shows subtle light flashing from darkroom double printing, where someone dropped in the naked jew to aid in the “shock value.”

This supposed secret shot with a “smuggled camera” is said to show body burning at Auschwitz, because the numbers of claimed gassing dead were so impossible for the crematoria.
It’s really a combination print of at least three photos: One, the window where a jew kapo snapped the shot “secretly” and two, a newspaper negative stolen from a 1912 train wreck in Dresden, Ohio, showing rescue people, along with a few real dead victims of the accident. Three, added figures and bodies were spliced in for effect (with obvious retouching — see the crude “spaghetti woman”).
The final montage print itself was then re-shot on a copy stand to aid in the fakery

The US weekly magazine Life (21/05/1945, page 36), comments: ‘The bodies of almost 3,000 slave laborers being buried by US soldiers. These dead worked in underground factories in the manufacture of V1 and V2 rockets.
In actual fact, these dead were the victims of the US terror attack on Nordhausen on 4 April 1945. Although the war was almost over, German cities continued to be bombed. Thus, the city of Nordhausen was bombed and almost totally destroyed on 4 April (2 days before the evacuation of the camp to Bergen-Belsen), also destroying the Boelke barracks in which the inmates were being housed. (From the series of publications from the Vierteljahreshefte für Zeitgeschichte, number 21, Stuttgart page 194, Prof. Martin Broszat).